![]() Our inquiry into this matter will be guided by aesthetic and dramatic concerns as we attempt to interpret history and examine Miller's own interpretations of it. This lesson plan's goal is to examine the ways in which Miller interpreted the facts of the witch trials and successfully dramatized them. When Arthur Miller published The Crucible in the early 1950s, he simply outdid the historians at their own game" (22). Moreover, they note that because of the trials' dramatic elements, "it is no coincidence that the Salem witch trials are best known today through the work of a playwright, not a historian. They observe, "for most Americans the episode ranks in familiarity somewhere between Plymouth Rock and Custer's last stand" (22). In their book Salem Possessed, Paul Boyer and Stephen Nissenbaum remark upon the prominent place the Salem witch trials have in America's cultural consciousness.
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